Writing fiction is the most mysterious process. It is easy to believe when you read a story in a book – the finished product – that the writer has constructed everything in a kind of conscious clever way. (If the book is working!). But it has never been like that for me.
I wrote Darkness on the Edge of Town four years ago, and when I read it now I am staggered by how it seems to run so smoothly – as though it was plotted and conceived – as though I had planned all those things I wanted to say. In fact, the process was nothing like that.
I had written a manuscript before Darkness on the Edge, a piece of fictionalised autobiography reflecting on what had been a particularly traumatic adolescence. During that time I had come to use writing to digest the parts of my experience that were difficult or unmanageable. It had become a tool for me, a way I’d developed to communicate with myself. In a sense, it had become a habit. I didn’t think of myself as a writer, and I didn’t think of the writing as a product. I saw it largely as some kind of outward, graspable expression of my inner self, as though I could hand over that first MS to a stranger and say – ‘This is where I’ve been. This is who I am.’
After I’d written that autobiographical story I was very peaceful. I had spoken the unspeakable and – metaphorically, at least – breached that gap between myself and the outside world. I wondered about publication, and made a few attempts to share my writing beyond my family, but deep down I felt the work was completed, even without a wider audience. It was out of me, and that was enough. I was free and light; unencumbered by the past. My story was on the page and not hanging heavily about my neck. I don’t think I believed I had another story in me.
But life isn’t like that, is it? A couple of years later I experienced a constellation of events that left me reeling. A short relationship with a man that was so dazzlingly confusing I was floored, and at the same time, a close friend’s baby slowly died. The two events combined seemed to break something open inside me, revealing a world of potential suffering I had stealthily kept out of view. While my friend nursed her dying baby with a warrior courage, I crumbled, as though the very ground I was standing on was suddenly giving way. And in that time Darkness on the Edge of Town was born.
The story came to me in one powerful strike. It hit me like a whack on the back of the head, the voices so strong and clear all I had to do was find the time to write them down. I didn’t think at all about what I was saying – about the deeper thematic meaning of the text – I was simply compelled by the characters and the situation they found themselves in. Four years on I can look at my work and see that I was grappling with the transience of life. That I was wondering about power relations and love, about kindness and abuse – and about how these things entwine. That I was trying to understand what responsibility we have for each other as fellow human beings, and perhaps especially what responsibility we have for those who are most fragile amongst us. But at the time I had very little awareness of these things, they sat somewhere in the periphery of my vision, always just out of reach.
Trying to make sense of how Darkness could come to light in such an intuitive way still leaves me a little confounded. And on top of that it is now a book! Something that others can read. Something that you might read. And I would like to be able to sit here and say – ‘yes, well, I had been thinking about things deeply and decided to construct a tale in which to share my thoughts …’ but this simply was not so. In truth, I was blindsided by a story that sprung with unexpected force from some invisible place inside me and now I’m sharing it with you.
And I hope – if you read it – you enjoy it. I hope that you will see that even though sometimes the terrain of Darkness on the Edge of Town is tough, at its heart there is a tenderness. There is love and there is kindness. There is the intimacy that is created when one person holds out their hand to another.
And sometimes, this is enough.