Word for Word – National Non-fiction Festival, 16th – 18th November


Jessie will be appearing in Geelong.

18 Nov 2018

1:00 pm- 2:00pm

Inspiration Space, Level Two
Geelong Library & Heritage Centre

Jessie Cole and Rick Morton – Despite the Dark

In this harrowing, down-to-earth discussion, critically acclaimed author Jessie Cole, and social affairs reporter Rick Morton dissect and discuss the memoir genre with author and memoirist Jo Case and explore the strength of family in times of trauma, and the uplifting power of the written word.

Buy Tickets


Mudgee Readers’ Festival — 10th – 12th August.


Stories in the Landscape

Saturday 11 August, 12:00pm–1:00pm at Town Hall Theatre

All hailing from different parts of the country, Inga Simpson, Jessie Cole and Paul Collis discuss their connections to their environment and how the landscape informs their work. Hosted by environmental writer and novelist Jane Rawson.

$12 – book ticket.


MRF Book Club: Staying

Sunday 12 August, 11:15am–12:15pm, The Coffee House at Parkview

Jessie Cole’s heartbreaking memoir Staying asks what happens to those who are left behind when someone takes their own life. It’s about the importance of home, family and forgiveness—and finding peace in a place of pain. Join the critically acclaimed author of Darkness on the Edge of Town and Deeper Water and host Julia Tsalis for an intimate discussion.

Free, RSVP essential.

Woollahra Library – Writers & Readers, 10th July

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Tuesday 10 July 2018, 6:00pm-8:00pm

Join Jessie Cole to hear from her heartbreaking memoir as she asks what happens to those who are left behind when someone takes their own life, the importance of home, family and forgiveness – and finding peace in a place of pain.

Woollahra Library, 451 New South Head Road, Double Bay

Get tickets for Jessie Cole at Woollahra Library.


High Tea with Jessie Cole – Better Read Than Dead, 7th July

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Better Read Than Dead – Saturday, July 7

3pm – 4.30pm

What if the thing in your past is so big that to avoid talking about it you’d have to move far away, but you loved your home so much you couldn’t leave?

Staying is a searing memoir by acclaimed novelist Jessie Cole, about surviving personal tragedy and finding a place to heal. Her highly praised novels, Darkness on the Edge of Town and Deeper Water, explore similar themes, but it is this, her own powerful story filled with profound wisdom and redemptive beauty, that she has been longing to write.


Join Jessie Cole for a conversation about Staying, over a high tea of sweets, scones, sandwiches and champagne.

Better Read Than Dead – 265 King Street, Newtown, NSW.

Get tickets from Better Read Than Dead.


Avid Reader Bookshop – Salon & ‘Staying’ launch, May 24th

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Thursday 24th May, 6pm – 8pm.

Join a Salon of emerging writers with Jessie Cole for the launch of “Staying: A Memoir” at Avid Reader Bookshop.

As children, Jessie Cole and her brother Jake ran wild, free to roam their rainforest home as they pleased. They had each other, parents who adored them, and two mysterious, beautiful, clever half-sisters, Billie and Zoe, who came to visit every holidays. But when Jessie was on the cusp of adolescence, tragedy struck, and her happy, loving family fell apart.

This heartbreaking memoir asks what happens to those who are left behind when someone takes their own life. It’s about the importance of home, family and forgiveness—and finding peace in a place of pain.

By the critically acclaimed author of “Darkness on the Edge of Town” and “Deeper Water”.

Avid Reader Bookshop: 193 Boundary St, West End, Brisbane, QLD.

This event commences at 6:30pm. Printed tickets are not issued and your booking will be on a door list under your surname. Tickets for this event cost $7.50 and bookings are essential.

Get tickets from Avid.

Bellingen Readers’ and Writers’ Festival June 2018

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Challenging Women: Perspectives on Life & Writing

Sunday 10th June, 9am – 10am

Alicia Tuckerman, Alli Sinclair, Claire Aman & Jessie Cole. Chaired by Jesse Blackadder

Biography & Memoir: The Stories of our Lives

Sunday 10th June, 12.30pm – 2pm

Don Watson, Kate Cole-Adams, Stuart Coupe & Jessie Cole. Chaired by Caroline Baum.

Head over to http://bellingenwritersfestival.com.au/ to check out the full program and buy tickets.


Sydney Writers’ Festival 2018

Session: Family Portrait

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Friday, 4th May, 1.30pm. Seymour Centre, Reginald Theatre, CHIPPENDALE

“Composing a memoir is a deeply personal process, one made more complicated when writing about family and friends. In this session, three memoirists consider the opportunities and risks in telling true stories about loved ones. Rosie Waterland’s Every Lie I’ve Ever Told details her family’s reaction to her bestselling debut memoir, The Anti-Cool Girl. Jessie Cole explores loss and grief in the beautifully written Staying. Tara Westover’s Educated explores her escape from a survivalist end-of-days childhood. They speak to ABC Radio Sydney’s Richard Glover.”

Head to swf.org.au to see the program and book tickets!


Staying – A Memoir

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“As children, Jessie Cole and her brother Jake ran wild, free to roam their rainforest home as they pleased. They had each other, parents who adored them, and two mysterious, beautiful, clever half-sisters, Billie and Zoe, who came to visit every holidays. But when Jessie was on the cusp of adolescence, tragedy struck, and her happy, loving family fell apart.

This heartbreaking memoir asks what happens to those who are left behind when someone takes their own life. It’s about the importance of home, family and forgiveness—and finding peace in a place of pain.”

‘A wounded, lovely, luminous book about grief, trauma and the strange healing potential of words.’ Tim Winton

‘A work of shining brilliance.’ Romy Ash

‘Staying aches and pulses with life … Cole is a writer of immense talent.’ Anna Krien

Staying is rich and complex – and often surprisingly funny given its dark subject matter. Above all, this memoir is a meditation on what it means to be traumatised by loss, and ultimately to be healed by life.’ Sydney Morning Herald

‘It is a ­literary achievement, but always a human story. Its message is that life has a tenacious power to draw us out of states of bereavement that, if surrendered to, have the capacity to destroy us ­entirely … The challenge is the one Cole meets and betters­ in this lovely, sad, sometimes luminous memoir: to hold the brokenness that grief ­creates without becoming broken oneself. To find consolation in remaining unconsoled.’ The Weekend Australian

‘This touching memoir from Australian author Jessie Cole, whose childhood was irrevocably changed when her sister committed suicide, offers a rare personal take on unthinkable tragedy.’ Elle

‘When Australia’s cultural narratives insist an artist must leave home to succeed, Cole shows one forged by staying put. She still inhabits her fallen Eden today. It’s surprising that, in the midst of such sorrow, what resounds is a sensation of fecundity. But perhaps it’s not, from a writer of such talent and grace.’ The Saturday Paper

Staying is a well-written, extremely moving memoir that steers resolutely clear of stereotypes and self-pity … For all the darkness, there is light too. Cole is a gifted writer with a sensual turn of phrase, and her exploration of the reverberating effects of suicide is both illuminating and absorbing. It will appeal to readers who loved her previous novels.’ Books+Publishing

‘This is a tender book about family, loss and trauma, and it deserves a wide readership.’ Readings Magazine

Staying is a heartbreaking testament to the despair, helplessness and guilt of those left behind.’ Australian Financial Review

Order a copy from Text Publishing.

The Breaking Point

It was the suicide of my older sister Zoe, in all her shimmering teenage glory, that pushed my father to the edge. Perhaps everyone has a breaking point. An incident or event that cannot be overcome, a moment in time that can never be erased. Most of us might get through life without encountering it, but my father was not so fortunate.

We lived far outside town, nestled in green hills, on a winding dead-end road a thousand kilometres north of Sydney. Filled with hopes for a new start, a tree-change—another world—my parents had packed up their busy city lives for the freedom of the country. My father, a psychiatrist, worked only three days a week. On days off he toiled in the garden. He began fantastical tasks and finished them in one day. Covered in sweat and dirt, with an aching back and a tired body he came in and told my mother of his progress. A Japanese garden, with a real slated pond and giant lilies, huge boulders and bamboo. An orchard with endless rows of citrus humming with bees. A rainforest, shady and ancient-seeming, strewn with fallen coloured leaves.

When I was small my father brought me special things he found in the garden. I sat steaming in the bath one evening, naked and easy, the flickering leaves of the growing forest outside whispering wordless secrets in my ears. The bathroom sat among the trees, the sliding glass doors open to the green. Coming in, dirt-speckled and sour smelling, he showed me a tiny white ball. With a delicate tug my father pulled this small sphere apart and thousands of spiders fell, sprinkling down upon me. Miniscule, they spread across the water, floating determinedly towards the edges, their legs braced against the sway of my careful movements. Hurriedly, the masses of baby spiders climbed out and along the top of the old enamel bathtub. With concentrated joy I scooped up the stragglers and flicked them gently from my fingers and out the long open doorway into the forest. I stared in wonder that so many lives had come from such a small white seamless pouch.

I understood that my father had held the power of their lives—and deaths—in his gentle hands, and felt in a subtle way that he had created them. I searched my father’s face for signs of meaning, but he was unreadable and unexpectedly quiet. My mother came in from the kitchen to see what had caused my squeals, and I checked to see how deep the crease between her brows became when she saw the delicate wafting spiders.

‘They’re not biting ones, Mum.’

My mother’s face broke into a sun-like smile. ‘They’re amazing.’ Her words were soft, and she looked at my father with a gentle warmth. ‘Where did you find them?’

He motioned out towards the garden and my parents wandered off together in search of the very spot.

My father was a man living in the moment. Before my sister died I once spotted him doing a lap of the town, ghetto blaster on his shoulder, wearing his bright yellow esprit shirt, on an afternoon errand. Hanging around on street corners after school as a young teenager, I got a glimpse of him in the distance.

‘Isn’t that … your dad?’ my tittering friends asked. When he jogged right past calling ‘Hi, Possum!’ it was a hard question to evade.

‘But what is he doing?’

Now, I suspect he was rushing about trying to get that beloved ghetto blaster repaired, and jogging with it on his shoulder just seemed a natural time management strategy, but the yellow woman’s esprit T-shirt was harder to explain.

My father loved that shirt. ‘Esprit is French for spirit!’ he’d proclaim, ‘S-P-I-R-I-T. You know, spirit, life, strength. That’s me!’

‘But why does it have to be bright yellow?’

‘That’s my favourite colour!’

‘But it’s a girl’s shirt, Dad.’ All I got for that objection was a slight roll of the eyes. For my father, gendered clothing was irrelevant, but in my small Australian country town a yellow woman’s shirt was enough to set a man apart. Add a ghetto blaster and a zappy jog, and the word ‘lunatic’ easily sprang to mind. There are advantages to growing up in a family with a high tolerance for eccentricity. Boundaries are loose, undefined. Odd fashion choices are celebrated, experimental artworks championed and socially inappropriate expressions of authenticity never shunned or derided.

But what happens when your crazy parent turns out to be … well, crazy?

After my sister’s death my family was in tatters. We were like fish swallowing air. Silence enveloped us. But in time my father’s muted grief turned wild and the tangled threads of his control snagged and tore apart. My mother and I woke one morning to find he had partitioned off the kitchen with a hinged ad hoc wooden screen to which he nailed all his favourite books.

‘Jess, Jess. Look, what do you think? Great, hey?’

I slid towards the table, trying to sit down among the books. ‘I’m not sure about the John Cowper Powys. Your mum’s always hated that book. Boring, she said. Fucking boring.’ My mother tried not to look at the newly constructed shrine. There was meaning in it somewhere, this fictional crucifixion, but my mother and I were frightened, and we huddled together in a quiet fist of unnamed communion over breakfast.

‘Jess, what about you? You haven’t read any Kafka. You’ve got to, baby! I’ve nailed this one up here. All these books, they’re between me and her. Your sister. Zoe. She’ll know. She’ll know even if you guys don’t. Don’t tell me Kafka’s fucking boring! Jess, your mum does like Kafka, even if she’s not willing to admit it here. Tell her! Zoe will know. So what do you guys think? How do you like it? The end of the hammer broke off last night otherwise I’d add those ones too.’ My father held the broken hammer in his hand, motioning to the piles of books still on the table—‘Some Mishima, The Leopard.’

‘You’ve taken up half the kitchen. There isn’t enough space to sit.’ My mother’s voice was quavering, falling away at the edges.

‘What? What are you talking about? Just move those books over and sit down. You have to complain about everything. God, Jess, your mother is such a fucking complainer. I scattered the ashes last night. Out in the garden, it was great, just me and her. I could feel her. She was with me.’

‘You scattered Zoe’s ashes? Where?’

‘Out there in the garden.’ He gestured behind him. ‘It’s a great spot. You’ll love it.’

My mother stood up, her mouth pressed together in a tight line.

‘Oh what, you have a problem with that too?’ My father’s face was red, his lips jutting forward. Wrapping her sarong tightly around herself, my mother replied quietly, ‘What about us? You can’t do things like that without talking about it.’

‘Fuck! She’s my daughter. I know where she should be. You’re such a control freak. You want to control everything.’

‘You’re not the only one who’s hurting.’

‘All right! But I’m not taking the books down. Zoe knows. She knows what it’s all about.’

‘You can’t do this, it’s crazy.’ My mother’s voice was quiet.

‘What, now I’m fucking crazy?’ Leaving no space for reply, my father’s words streamed out, relentless and loud. My mother gazed longingly at the green garden sea, as though willing the trees to come inside and rescue her.

I slipped into the garden and searched the fallen leaves for some sign of the soft grey dust. It lay in little clumps, meagre and exposed, underneath a tree that looked no different to the others. Gathering some up, I hid my sister’s ashes in a little painted wooden box among my jewellery, and avoiding the kitchen and the shrine of books, walked out to the driveway and the hissing doors of the school bus.

Always a punctual man, my father began to run late for work, and in the office he made phone call upon phone call until his patients, milling about in the waiting room, looked away from each other’s startled eyes. He bought a small rickety house, on impulse, in my one-street country town, with a cheque that he wrote out to friends at three o’clock in the morning, drunk, and he did not tell my mother. He dreamed of building an elaborate marble-floored Italian restaurant in his tiny new house and he drew up the designs and called the architects. He called the bank manager and the builders. He called old friends and acquaintances. His secretary phoned my mother, her voice low and disturbed.

‘I’m worried about him. He looks terrible, like he hasn’t slept in days. I can’t get him off the phone.’

In the evening he rang home to say he’d be there soon but he didn’t arrive. He disappeared and my mother’s long skirts swayed as she paced, the crease between her brows a savage line. She thought of accidents and car wrecks and he did not phone and he did not phone. He had vanished into the nearest city, and it took my mother all the next day to track him down. In the consumer complex of that other world he spent and spent, his credit cards bloating.

‘My daughter, everyone thinks she’s dead. But she’s not, she’s come back! She’s come back to me,’ he told a stunned woman at the checkout. ‘She was just on holiday. A protracted holiday!’

On the way home he took twelve hours to complete the two-hour drive, stopping along the way to make more purchases. He bought a new cane furniture suite, a brand spanking leather lounge and more and more presents for my mother, which he claimed post-acquisition were all tax deductible and therefore half price. When he finally arrived home he still didn’t tell my mother about the house he had purchased, and the hefty house-sized cheque. Erratic and wired, my father talked and talked, in endless flooding words. My mother’s lips tightened and she rang his old doctor friends for help and advice.

‘He doesn’t sleep. He doesn’t eat. I think he’s having some sort of episode.’

‘He’s just starting to feel better.’

‘No, he’s acting crazy. It’s beyond that.’

‘I saw him the other day at Jim’s. He was in high spirits. Life of the party. Back to his old self.’

‘No, this is not normal. He is out of control.’

The next morning, my father’s day off, the handyman came to spray the orchard with white oil, but my father made him sit down and watch music videos.

‘See how when Clapton comes on stage, Neil Young shifts over? They can’t stand each other. You can see by the way Clapton holds his head. I’ve got it figured, man. You can see it, right?’

‘Well, I don’t know … but I guess I should get to work.’

‘No, no, man. Just watch this bit. It’s fucking great. You can see that Dylan doesn’t even want Willie Nelson there. I mean, it’s Dylan’s concert, right? You can see this exchange. Backstage, I can tell you what happened. I can tell just from this one look. There, that bit, did you catch it? See how Dylan kind of smiles right there? Here, I’ll rewind it for you.’

He had developed detailed theories about what the videos meant, and he sat and stood and sat and stood and talked to the handyman until finally it was dark and the bemused man escaped into the night.

Back at work, he came home late from the office, arms gesticulating with a frenzied flourish, and declared he had something amazing to tell my mother. Waiting while he made phone call after phone call, exhausted and bewildered, she went to bed.

By the weekend he had converted to astrology. Accosting me at breakfast, he dragged me out to the verandah. Sitting across from me with a notepad, my father asked endless questions and jotted down my replies.

Star signs. I was startled by this latest obsession but I sat with him and talked. It felt to me that this morning was the first time my father had heard me speak since Zoe died. He was vibrant, his arms sweeping out in lavish emphasis, and I tentatively smiled.

From the verandah I could see my mother lingering in the garden, wandering from tree to tree, touching the leaves gently as though searching for sustenance. She peered up at us, eyes narrowed, and then left to get supplies from the local shop. When she was gone, my father stood up, smacking his pen against the page.

‘Thanks, Jess, you’ve told me everything I need to know. I’m working on something special here.’

‘Right, okay?’ I was uncertain.

‘I’ll be back later to tell you what I’ve found.’

My father went to his room and when he returned he cornered me in the kitchen. ‘I’ve discovered something amazing, Jess. Zoe didn’t leave me. She didn’t fucking leave me. I’ve got this patient, a beautiful girl, you’d love her. You’ll meet her soon. She’s fourteen, and I know that she’s really Zoe. She’s Zoe reincarnated.’

Standing over me, my father began to cry, a deep collapsing sob. ‘She’s not dead, Jess. I knew she’d never leave me. I worked it out from all the things you told me, from what you said about the star signs.’ Voice wavering, he wiped his tears roughly from his cheeks with the heels of his palms.

‘But Dad, she’s fourteen, how could she be Zoe? She was born way before Zoe died.’

‘It’s partial reincarnation, one of my patients told me about it. This guy knows about heaps of fucking stuff. I’ve done a lot of talking with him. Lots of fucking talking.’

‘Dad, that’s crazy.’

‘You don’t believe me?’

‘No. You’re acting crazy.’

‘You want to know something else?’


‘See this picture.’

My father held up a Time magazine with a picture of a black-skinned man with glasses. ‘Do you know who this is?’


‘It’s Arthur Ashe.’


‘Arthur Ashe, he’s a tennis player who died of AIDS a few years back.’


‘Do you see anything unusual about this photo?’


‘That’s me. I’m Arthur Ashe. I can tell by the shape of the glasses.’

‘But he only died a few years ago, right? Come on, Dad, how is that possible? Who were you before?’

‘I’m me, baby, but it’s partial, you know?’

Needing to be away from him, I fought tears. ‘Dad, you’ve lost the plot. You’ve totally lost the plot.’

‘Fuck, you sound just like your fucking mother! Both of you so fucking critical.’

I stole away to my room and waited for my mother to come home. She arrived at the same time as the furniture van, with the fancy new lounge suite. My father asked the delivery man to stay for dinner and regaled him with tales of his newly acquired astrological knowledge. After dinner he invited the man to stay the night and then, in a flurry of movement, headed out to a party at a friend’s house. We watched him go, exhaling in a communal surge of relief. This friend was a psychiatrist and a colleague, and surely something would be done. We talked shyly to the furniture delivery man, and showed him to the spare room.

Late that night the mother of the fourteen-year-old patient rang. ‘Look, I’m worried about your husband. He came to my house, he just dropped by. He says he thinks your daughter has returned. He sounds crazy. I don’t think it’s right, I mean, he’s her doctor. It’s not safe. He says he wants to take her away somewhere. She’s just a kid, you know?’

After my mother hung up the phone, she searched and searched until finally she found the cheque book and the house-sized cheque.

I escaped the silent fear of the house to spend the night with friends. In their bright company I drank and drank, aiming for that engulfing darkness, and found myself instead crouched in the garden, shivering and lost. My older sister Zoe, vibrant and fierce—delicate of soul and wild of heart—had disappeared from our lives, but every day the event of her death expanded, as the person she was gradually diminished. Her suicide—my father’s breaking point—pulling us all to pieces. Drunk in the garden, I mourned the loss of her and the brokenness of my father.

My friends searched for me in the leafy night. Bending down, they gently pushed the hair from my face. They took me to bed, tucking the covers tightly around me and turning out the light. I lay in the darkness, my head pounding and my stomach raw, and eventually slipped off into that quiet black place.

In the morning a friend woke me gently to come to the phone. My mother had called and it was urgent. ‘Jess?’

‘Yeah, Mum, what’s wrong?’ My throat felt razored, my voice shrill.

‘Jess, it’s your dad. He went missing. They lost him at the party.’


‘He disappeared and they couldn’t find him.’

‘Where is he? What happened?’ My head throbbed loudly in my ears, and I pushed my fingers hard against my forehead.

‘He’s at the police station. The police picked him up.’ Her voice reverberated on the other end of the line. I was afraid to speak, afraid to find out why. The silence stretched between us. ‘Jess?’

‘Yeah. What did he do?’

‘Are you okay?’

‘Yeah, I’m all right. Tell me.’

‘He broke into someone’s house and put some music on. He turned it up really loud and the police came. He was naked and muddy, I mean, he’d smeared himself with something.’

‘Is he okay? I mean, is he hurt?’

‘I think he cut himself a bit with the glass. You know, from the window when he broke in. But it’s not serious.’

‘Mum, what’s going to happen?’

‘He’s not going to be charged, I don’t think. It was clear that he’s not well. He’s going to be picked up and taken to the Richmond Clinic.’

‘The Richmond Clinic? Where all his patients go?’


The phone shook in my hand, and I felt my lips turning downwards in a flickering involuntary grimace. Fighting tears, I clenched my teeth together until they scraped loudly in my ears.

‘I have to go over and bring him some stuff, some books and pyjamas. I can’t pick you up. Can you stay there today?’ My mother sounded tired and tight. I could feel her anxiety through the white cold plastic of the phone. ‘Jess, I’ll ring you when I get back, okay?’

When my father broke into the stranger’s house he carved mandalas into his palms with the glass from a shattered mirror, he smeared himself with sewage and ate a packet of cigarettes. Grief had unravelled his control. He was wild and savage and lost. The sorrow that had engulfed our home since Zoe’s death had finally spilled into his outside life in a torrent of mad despair. He was hospitalised but he soon came out, and then he was hospitalised again. He talked of axes and Aphrodite and splitting skulls, and his old doctor friends called from Sydney and whispered to my mother down the end of the line.

‘Do you have any guns there? Get rid of the axes. Get rid of anything weapon-like.’

And when the raving was over and the muted sadness returned, it was somehow our fault and he could not forgive us. He was bitter and angry and uncomprehending, and we could not forgive him. He began to talk of my mother as that woman, and when she left the house for any reason she would return to the roaring sound of a chainsaw as he cut down another of her beloved trees.

Watching my father’s slide into madness was terrifying. What we had known as eccentricity suddenly became much more. How could we tell what was his illness and what was him? He had always been spontaneous and unpredictable: unafraid of the unknown, testing the boundaries. What were the bounds of normal? Who made those rules, and who enforced them? My family were constantly on watch, but what signs were we watching for?

Raging against the dying of the light, my father was in and out of the psychiatric ward from then on until his death a few years later. And no, the causes were not natural. He had reached his breaking point and tumbled into the abyss.

And now, still nestled in those green hills, nearly eighteen years later, I watch myself in the same way. Walking through life warily, the line between destruction and perfection so fine as to be perilous. What is my breaking point, and will my life take me there? If the line between sane and crazy is fine enough to step over, how can I know when I’ve taken that step? And who, apart from me, is patrolling the perimeters?

In light of what happened to my dad, that yellow esprit shirt has taken on a whole new meaning. I keep it hidden deep in my closet, the material so soft and worn it almost comes away in my fingers. Somehow, despite everything, it has come to represent all that is wondrous about living so close to the edge. Being in the moment, being open to the world, being full of spirit and life. Being deeply and utterly yourself.

Drawing of the author as a child, artwork by the author’s father, 1983

Drawing of the author as a child, artwork by the author’s father, 1983

First Published in Meanjin, Volume 72, Number 3, 2013.

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